"Naradan" had its heart in the right place and attempts to tell an important story-that of the dangers of an unchecked media culture running roughshod over citizens' rise to dignity and privacy in today's day and age. However, it is Indrans who lingers in the mind with a deeply impactful, searing performance that is another testament to his growing stature as a character actor in Malayalam, after blowing us away with his turn from comedy to more serious roles in earlier films like "Aalorukkam (2018)", "Veyilmarangal (2019)", "Anjaam Pathiraa (2020)" and "Home (2021)". Anna Ben makes good use of the little screen time she gets, as a steadfast lawyer fighting the good fight and Sharaf U Dheen also makes his mark, as the other side of the coin, a journalist focused on the facts rather than 'dirt'. While it is refreshing to see him take up an anti-hero role after the rousing success of "Minnal Murali (2021)", he is given precious little to work with, with the character development happening in jarring flashes and the audience not getting any deep insights into his thought process, motivations, or antecedents. Tovino Thomas stars as a Machiavellian news anchor, who resorts to sting operations and covering sensationalistic, clickbait news when his career reaches a crossroads. Unfortunately, "Naradan" falters with its insipid screenplay and tepid narrative style that neither entertains nor provokes thought requisite of the important subject matter it attempted to shine a light on. With the spread of media sensationalism conjoint with the growth of social media and the unchecked growth of 'news' platforms, a commentary on the same was the need of the hour and when a director of Aashiq Abu's calibre picked up such a topic, I was keen on what he would come up with.
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